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Incognito 2026


Cindy Tonkin - July 2, 2026

Today Anna and I went to Carriageworks to see Incognito.

The sheer number of A5ish sized works was overwhelming. I didn’t want to buy anything (of course), but I used it as an opportunity to either pick up new techniques or remind myself of old techniques I forgot I had used (and renew some resolutions to get some things happening).

I’m mid-board book altering right now (Pig the Pug, Spot’s Nursery Book, The Alphabet Book – all to come), so i want to remember these:

  • grids always work
  • Buttons in a circle look fabulous – can I use my buttons like this? (see red, white, blue ones)
  • similarly, a lot of the little “ging gangs” I keep (monopoly houses, and such) and my old jewelry could work as a collage
  • Mosaic-like collage (e.g. the 2 x teapots below also the oddly floating turtle and the boat and mountains with the yellow sun rays)
  • sometimes the thing that makes it is the background!
  • it doesn’t have to be high colour (see the white buttons).
  • Raoul Dufy-style portraiture is also valid – (see mummy and billy)
  • yoiu don’t have to draw it well, you just have to draw it (coffee cups, and mummy and billy)
  • layered paint drawn into paint (the yellow things with the pink sky, which seems to be someone lying on their back and drawing UP into the sky from a courtyard)
  • doodles with dots and lines can be beautiful, same with drizzled ink
  • cardboard can be a fab background (the girls in the dotty dress on cardboard background)
  • it feels like poetry but it isn’t really – the coffee cup
  • Use stamps to be a block of colour (woman with the stamp neck)
  • collage can be surprising (the woman opening the mouth of the fish with a beer can and a cigarette)
  • you don’t need to go anywhere, paint your front door
  • high colour can be countered with plain – yelloe background with odd animal from collage
  • simple can be great – the simply egg / line drawing
  • lay down some blocks with a gelli print, draw into it (the abstract with the red line down the lhs)
  • A doodle will suffice if you choose the right colours (pink and gold abstract)
  • when in doubt draw a bird in a jacket (and this show was filled with chickens, and seagulls and bulldogs)
  • or crop it and put it on a grid.
  • i cannot do this, but drawing a ribbon can be amazing (but maybe a gelli print using a ribbon tied in a bow?)
  • I’m always seduced by strong autumn colours
  • draw with a white pen over a vividly coloured thing and it looks good.
  • crazily precarious houses always win
  • whne am i going to do a laundry series?
  • make a highly coloured background, then put a white mask over it (or start with the mask then gelli print the complexity over the top e.g. the bird on a branch with flowers). Note this was how I felt about this one.
  • you cannot go wrong in approximating a map: the blue framed thing that looks something like a Brett Whiteley nude but a map
  • Simple is good – the line drawing of a 3 pronged plant with a few circles and a boat
  • Compex backgrounds sometimes make everything ok (the chicken, yes, there were HEAPS of chickens)
  • when in doubt go overly decorated, but leave white space for the eye (the line drawing of the staircase)
  • type and high colour works too
  • more autumn colours and a simple set of lines (jug and cup)
  • Jigsaw puzzles – you can layer them (and then paint on them, it doesn’t have to keep it’s original colours)
  • gelli print and layer the paint and write into the wet paint
  • it’s totally ok to highlight some bits of an abstract / multicoloued background (white background with some water colour marks)
  • biro and coloured pencil also works (drawing in blue biro of a station / building)
  • go revisit Sean Tan’s work – the red background with a vase of barely alive flowers
  • do some collage from pre-printed papers (the still life with gold on grey / black / white)
  • when in doubt, polka dots (chicken no 2).
  • try a set of related images (food), and turn them into a postags stamp
  • great colours, and a 3d feel (watercolours in turquoise and caramel, like chocolates from a parisian store)
  • Make the collage 3d (the three fish are raised from the page by a tiny plinth)
  • it’s always good to musical instruments in a still life
  • add beads to a 2d work (the rocks in a pile, with red and gold beads)
  • honestly, get around to cooking that gelli plate you have the ingredients for)
  • smaller collages pieces – you don’t have to use the whole pattern paper tissue, just a torn off piece
  • do a crazy drawing set like my screen saver – (the under sea images)
  • what is it with how much i love a good denim blue? and how nicely does it go with yellowed book paper (ashtray “it is what it is”.)
  • make some leaves, colour them in. collage them down (the leaf collage).
  • add some netting and a bit of stitching to focus a piece

That’s a lot of notes, but here are the images, which i have tried to organise in packs of things that went together (autumn colours, collage mosaics), but it’s really not that easy!!

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